i believe my stream is functioning j

Hans Wilmers wrote:

Hi, our stream will be up and running. If you hear much through all the noise, though... :)

Regards, Hans

Jerome Joy wrote:

...

LOCUS SONUS AUDIO STREAMING PROJECT

Dear Friends,

We present the Locus Sonus installation during our symposium these next days (Wednesday and Thursday).So it would be great if you can maintain your stream alive this week.

You've got all the infos about this symposium on our website.

Thanks a lot Best Jerome

http://locusonus.org/

---

Locustream / Locus Sonus Streaming Project http://locusonus.org/ To unsubscribe, send a message to support@locusonus.org _______________________________________________ http://www.villa-arson.org/mailman/listinfo/locustream

Our stream should be working fine here. Let me know if it doesn't.

Best wishes,

- Alain

On Nov 14, 2006, at 9:40 AM, Jerome Joy wrote:

...

LOCUS SONUS AUDIO STREAMING PROJECT

Dear Friends,

We present the Locus Sonus installation during our symposium these next days (Wednesday and Thursday).So it would be great if you can maintain your stream alive this week.

You've got all the infos about this symposium on our website.

Thanks a lot Best Jerome

http://locusonus.org/

---

Locustream / Locus Sonus Streaming Project http://locusonus.org/ To unsubscribe, send a message to support@locusonus.org _______________________________________________ http://www.villa-arson.org/mailman/listinfo/locustream

---

Locustream / Locus Sonus Streaming Project http://locusonus.org/ To unsubscribe, send a message to support@locusonus.org _______________________________________________ http://www.villa-arson.org/mailman/listinfo/locustream

----------- Alain Renaud Sonic Arts Research Centre (SARC) Mob: +44.79.00.916.074 Tel. +44 (0)28 90974829 alain.renaud@qub.ac.uk

Reykjavik is up and running. New mike, new sound card, same old people balbing in silly Icelandic – or simply keeping silent. (We are GMT-2, so at the moment (10 o'clock in France) we are cooking dinner and watching the news on TV).

All the best, r.

On 14.11.2006, at 16:53, Björn Eriksson wrote:

I'll be launching my stream aswell!

/Björn

----- Original Message ----- From: "Jerome Joy" joy@thing.net To: locustream@locusonus.org Sent: Tuesday, November 14, 2006 8:40 AM Subject: [locustream] Your streams

LOCUS SONUS AUDIO STREAMING PROJECT

Dear Friends,

We present the Locus Sonus installation during our symposium these next days (Wednesday and Thursday).So it would be great if you can maintain your stream alive this week.

You've got all the infos about this symposium on our website.

Thanks a lot Best Jerome

http://locusonus.org/

---

Locustream / Locus Sonus Streaming Project http://locusonus.org/ To unsubscribe, send a message to support@locusonus.org _______________________________________________ http://www.villa-arson.org/mailman/listinfo/locustream

---

Locustream / Locus Sonus Streaming Project http://locusonus.org/ To unsubscribe, send a message to support@locusonus.org _______________________________________________ http://www.villa-arson.org/mailman/listinfo/locustream

Með kveðjum, r.

........................... • Ragnar Helgi Olafsson • Skipholti 11, Reykjavik • Tel: + 354 822 48 58 • olafsson @ webwaste.net ...........................

LOCUS SONUS AUDIO STREAMING PROJECT

Dear Friends,

Thanks for your attention along the past week during our symposium and last presentation of the Locus Sonus installation. We were very happy to discover a new stream: http://nujus.net:9001/istanbul.ogg But Koray did (or do) you stream from Turkey or from Finland? it will be great to listen to it again, do you tell us when you'll put it up again?

We'd got some serious problems with the network at Aix (depending on the local access) on the 15th and the 16th, so it has been difficult to work fully the installation with the streams and we'd to cancel the on-line presentations (Angus's and Björn's ones). During the symposium, Jason Geistweidt had visited us and presented the developments and research at SARC in Belfast, and we'd got the real and good surprise to know that he's actually playing and working with the reception of the streams which are launched in the framework of our project, as live sound materials for composing and for using with other systems. It's really a good way and perspective and this can help us to go on working on shooting sounds and to improve the located mikes (the mike (s) itself, the sound focus, and so on). We can think too about on- line tests and experiments during which we can together and successively work with each sound "streamer". Does this sound to you? To take some on-line rendez-vous, when you're ready, would be enough to begin this work. Maybe it would be good to start with proposing that each one of us presents on-line, to the others, his (or her) own stream. We can book one day or two next January for example or later (according to our and your schedules). For this on-line meeting (or "seminar"), we could use an audio-video system (videoconference), we can send you very soon a simple proposition which will permit us to realize this meeting.

The actual typology of sound "windows" and of open mikes gives us a good first approach of the sonic diversity we can reach, but also about the experiences of long listenings of continuous soundscapes, until the time when sometimes they seem to be mixed or melt with our own sound environment (or to become "our" own environment). Actually it seems that the window ledge appears as the main sublime view ;-), particularly for the urban streaming mikes. The relationship with phonography (as a sound practice) and with webmike (as webcam), or also with shooting sounds (as sound recordists), could be more explored to point out some distinctions which are present here in the framework of our project. To question the different qualities between sound environment, sonic ambiance, soundscape, field recording, sonic matter (ready-mixed?), sound feature, (soundcare?, soundware?), and so on. Several words, terms or expressions we can shake together, and surely you can find other ones (send them to us!), to more explore what happens here.

By using networks to develop and to constitute the system of this open-mikes' net, we're certainly crossing some articulations between capturing sound and listening to it (and the interactions between), and between the "tuning" of different spaces and times, as for example, what was pointed out some decades ago, as what we call "schizophonia" [1], or in another way "soundwalk" [2], and so on (it would be helpful to refer to historical projects and writings). The system we're beginning to develop opens of course different practices and tactics (contrivances?) around this geography (or cartography) of streaming locations: - to record the streams and to use it as cells of memory (because they become fixed, reproducible, and so on), as site's (or situations') images and soundprints - to feed other systems, as installations, processes, resonant spaces, and so on - to focus on sound sensors and captures (with parabolas, and we can imagine other tactics) - to develop systems of sound diffusions, to fold a (emitted) site on another site (of reception), and to build moves and sound spatialization - to invent listening forms and systems corresponding to the scales of the streams - to play with (exclusively or not) into performances, improvisations (comprovisations?), as a live material which can be treated, coloured, filtered, overwritted, and so on - to consider this net as a large radio (narrowcast, broadcast) and to tune (or to syntonize) between the emitted points as sound fictions or improbable narratives (what is an event? a sound sign?) - and so on, I think that you can see other tracks... we can go on to complete this first approach...

So I've tried my best to set some ideas (in english) down in writing, I hope that it's comprehensive even if my frenglish just slips out. So feel free to read between the lines and the words...

Best Jerome

ps: désolé pour les lecteurs français, pas le temps de traduire...

[1] http://www.sfu.ca/sonic-studio/handbook/Schizophonia.html ttp://cec.concordia.ca/econtact/Ecology/Lopez.html [2] Soundwalks are comprising periods of time when one listens with greater attention than usual to one’s sonic environment (i.e. soundscape). Soundwalkers may even let their ears determine the route of the walk. http://www2.sfu.ca/sonic-studio/handbook/Soundwalk.html http://www.arteradio.com/son.html?22427 http://cec.concordia.ca/econtact/Soundwalk/Soundwalking.htm http://www.sfu.ca/sonic-studio/handbook/index.html

:

Hi Koray,

Thanks for the info. Just note: Locustream is the name of the mailing-list, and Locus Sonus Audio Streaming Project the title of the project. Keep us in touch with the streaming part of your workshop when you'll launch it. Thanks.

From our side, the Locus Sonus's sound installation will be show at Steim, Amsterdam, during the week 10th to 17th of december. More infos very soon, streams needed ;-)

Best Jerome

Le 25 nov. 06 à 11:42, Koray Tahiroglu a écrit :

I am streaming from Istanbul Turkey, I dont have a desktop computer so it gets difficult to stream and work on my laptop at the same time, I was streaming mostly during the day for the Wednesday and Thursday exhibition days. And since last week I couldnt stream anything at all. Tomorrow I will go to Helsinki, so next Istanbul stream probably will be in the mid December.

btw, I am going to run a week long PD workshop in Helsinki, and during the Networking part I will talk about locustream as an example project, and i will stream from the workshop for a while. Streaming from the workshop will be on Monday 4th of December sometime in the afternoon.

Koray.

---

M.Koray Tahiroglu Media Lab,UIAH http://mlab.uiah.fi/~korayt/ tel: +358 50 939 02 33 ( in Finland only) tel: +90 533 712 8245

On Nov 25, 2006, at 12:19 PM, Jerome Joy wrote:

...

LOCUS SONUS AUDIO STREAMING PROJECT

Dear Friends,

Thanks for your attention along the past week during our symposium and last presentation of the Locus Sonus installation. We were very happy to discover a new stream: http://nujus.net:9001/istanbul.ogg But Koray did (or do) you stream from Turkey or from Finland? it will be great to listen to it again, do you tell us when you'll put it up again?

We'd got some serious problems with the network at Aix (depending on the local access) on the 15th and the 16th, so it has been difficult to work fully the installation with the streams and we'd to cancel the on-line presentations (Angus's and Björn's ones). During the symposium, Jason Geistweidt had visited us and presented the developments and research at SARC in Belfast, and we'd got the real and good surprise to know that he's actually playing and working with the reception of the streams which are launched in the framework of our project, as live sound materials for composing and for using with other systems. It's really a good way and perspective and this can help us to go on working on shooting sounds and to improve the located mikes (the mike (s) itself, the sound focus, and so on). We can think too about on- line tests and experiments during which we can together and successively work with each sound "streamer". Does this sound to you? To take some on-line rendez-vous, when you're ready, would be enough to begin this work. Maybe it would be good to start with proposing that each one of us presents on-line, to the others, his (or her) own stream. We can book one day or two next January for example or later (according to our and your schedules). For this on-line meeting (or "seminar"), we could use an audio-video system (videoconference), we can send you very soon a simple proposition which will permit us to realize this meeting.

The actual typology of sound "windows" and of open mikes gives us a good first approach of the sonic diversity we can reach, but also about the experiences of long listenings of continuous soundscapes, until the time when sometimes they seem to be mixed or melt with our own sound environment (or to become "our" own environment). Actually it seems that the window ledge appears as the main sublime view ;-), particularly for the urban streaming mikes. The relationship with phonography (as a sound practice) and with webmike (as webcam), or also with shooting sounds (as sound recordists), could be more explored to point out some distinctions which are present here in the framework of our project. To question the different qualities between sound environment, sonic ambiance, soundscape, field recording, sonic matter (ready-mixed?), sound feature, (soundcare?, soundware?), and so on. Several words, terms or expressions we can shake together, and surely you can find other ones (send them to us!), to more explore what happens here.

By using networks to develop and to constitute the system of this open-mikes' net, we're certainly crossing some articulations between capturing sound and listening to it (and the interactions between), and between the "tuning" of different spaces and times, as for example, what was pointed out some decades ago, as what we call "schizophonia" [1], or in another way "soundwalk" [2], and so on (it would be helpful to refer to historical projects and writings). The system we're beginning to develop opens of course different practices and tactics (contrivances?) around this geography (or cartography) of streaming locations:

• to record the streams and to use it as cells of memory (because

they become fixed, reproducible, and so on), as site's (or situations') images and soundprints

• to feed other systems, as installations, processes, resonant

spaces, and so on

• to focus on sound sensors and captures (with parabolas, and we can

imagine other tactics)

• to develop systems of sound diffusions, to fold a (emitted) site on

another site (of reception), and to build moves and sound spatialization

• to invent listening forms and systems corresponding to the scales

of the streams

• to play with (exclusively or not) into performances, improvisations

(comprovisations?), as a live material which can be treated, coloured, filtered, overwritted, and so on

• to consider this net as a large radio (narrowcast, broadcast) and

to tune (or to syntonize) between the emitted points as sound fictions or improbable narratives (what is an event? a sound sign?)

• and so on, I think that you can see other tracks... we can go on to

complete this first approach...

So I've tried my best to set some ideas (in english) down in writing, I hope that it's comprehensive even if my frenglish just slips out. So feel free to read between the lines and the words...

Best Jerome

ps: désolé pour les lecteurs français, pas le temps de traduire...

[1] http://www.sfu.ca/sonic-studio/handbook/Schizophonia.html ttp://cec.concordia.ca/econtact/Ecology/Lopez.html [2] Soundwalks are comprising periods of time when one listens with greater attention than usual to one’s sonic environment (i.e. soundscape). Soundwalkers may even let their ears determine the route of the walk. http://www2.sfu.ca/sonic-studio/handbook/Soundwalk.html http://www.arteradio.com/son.html?22427 http://cec.concordia.ca/econtact/Soundwalk/Soundwalking.htm http://www.sfu.ca/sonic-studio/handbook/index.html

:

---

Locustream / Locus Sonus Streaming Project http://locusonus.org/ To unsubscribe, send a message to support@locusonus.org _______________________________________________ http://www.villa-arson.org/mailman/listinfo/locustream

---

Locustream / Locus Sonus Streaming Project http://locusonus.org/ To unsubscribe, send a message to support@locusonus.org http://www.villa-arson.org/mailman/listinfo/locustream _______________________________________________