Hi all

Thanks Zach

You're very welcome to use the stream from my back yard (london_camberwell), and I'm pretty sure it'd be fine to use to other streams we've been involved with, like the ones Rob mentioned and perhaps the Rainforest Canopy stream with Leah Barclay.

Sounds like a great project. Happy also to talk more off-list.

bw
grant

On 25 Mar 2022, at 03:22, Zach Poff <z@zachpoff.com> wrote:

Hello fellow streamers.

I've been experimenting recently with a "time-lapse" logic for listening to durational field recordings, trying to condense long-term imperceptible changes into something we can more readily understand. I've been doing 24hr recordings and playing them through a Max patch to compress them to 1hr (using thousands of cross-faded fragments). The gradual exchanges between soundmakers (people / animals / weather ...) seems to be heightened by the montage. But I'm also noticing how the "constant" hum of the city evolves too: not so constant as it shifts in dominant pitch and color. I love the unrelenting "liveness" of open microphones so I'm interested in how these two nearly-opposite listening practices might combine.

I need 22 of these "1 hour = 1 day" segments. I have been leaving recorders "undercover" near my home in New York, USA, but I'm also reaching out to recordists and streamers to see if people are interested in contributing a 24hr field recording or permission to record their live-stream for a day. If so, I'd love to talk off-list.

Thanks!

-Zach Poff

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