Locustream September 2010

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[locustream] CFP reminder: Koli soundscape conference
by Eric Leonardson 22 Nov '10

22 Nov '10

IDEOLOGIES AND ETHICS IN THE USES AND ABUSES OF SOUND Koli, Finland, June 16-19, 2010 CALL FOR PAPERS (reminder: abstracts by October 12) The 2010 WFAE conference will be held at Koli in Eastern Finland. Koli is a plausible site for reflecting upon ideologies, ethics and soundscapes, since it was amongst the key places of the national romantic artist pilgrims in the late 19th century Finland. The main organisers, Department of Finnish Language and Cultural Research at the University of Joensuu, Finland and The Finnish Society for Acoustic Ecology (FSAE) invite researchers and artists from all disciplines to join this forum of discussion. Confirmed invited and keynote speakers are (in alphabetical order): Steven Feld, Charles Hirschkind, Bruce Johnson, Anahid Kassabian, Andra McCartney, R. Murray Schafer, Barry Truax and Hildegard Westerkamp. More information at: http://www.joensuu.fi/soundscapes Proposals are invited for papers, workshops, roundtable, or artistic contributions relating to, but not limited to the following topics: NATIONS, NATIONALISM AND SOUNDSCAPE There has been an abundance of research on the topic of nationalism and music. What about nationalism and soundscape? Within sound of religious movements Martin Stokes mentioned recently that in order to understand certain Islamic movements today it would be crucial to understand their soundscapes. Collective listening or giving ?voices? to subjects and their religious experiences, are some examples. CONSTRUCTING PAST AND PROGRESS IN THE USES AND ABUSES OF SOUND Both past and progress can be used and abused as part of many ideologies. Have past soundscapes been used as a resource as part of these negotiations? The ideology of progress, then, is intimately related to the acceptance of noise as an inevitable phenomenon. ETHICAL CHALLENGES OF WORKING WITH THE SOUNDS How do soundscape researchers and artists answer to the ethical challenges of working with the sounds of other people ? and of themselves. How do we understand cultural convergences, differences and sameness? Or would it just be more important to learn to tolerate the other? Should the researcher or artist make an intervention -- or would it be best just to observe the uses and abuses of sounds from outside? THE COMMODIFICATION OF AURAL SPACE, SOUND AND SILENCE How does silence, its commodification and tourism fit under the same sky? What kind of strategies can the citizens and planners develop in different localities in order to guarantee the soundscape comfort, tourism as a means of livelihood and the touristic search of silence all at the same time? What about the urban environment with its ubiquitous transphonic phenomena? Who has the right to fill the urban space with music, and how is it currently happening? Please send ABSTRACTS (max. 400 words) by October 12, 2009 to the conference e-mail address koli(a)akueko.com. The abstracts are being dealt with in early November, and the people whose papers and sonic art works are chosen to be presented will be notified on November 10. ----- End forwarded message ----- -- Eric Leonardson E-mail: eric(a)ericleonardson.org <mailto:eric@ericleonardson.org> Homepage: http://ericleonardson.org/whatsnew/ World Listening Project: http://www.worldlisteningproject.org <http://www.worldlisteningproject.org/> Midwest Society for Acoustic Ecology: http://mwsae.org <http://mwsae.org/> Delicious: http://delicious.com/eleon Twitter: http://twitter.com/eleona Myspace: http://www.myspace.com/ericleonardson Flickr: http://www.flickr.com/photos/eleonardson/ YouTube: http://www.youtube.com/ericleonardson Facebook: http://www.facebook.com/eric.leonardson mobile: 773-218-5796 skype: worldlistening

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[locustream] World Listening Day, July 18
by Eric Leonardson 12 Nov '10

12 Nov '10

Dear Locustreamers, I'd like to inform you of World Listening Project's effort to hold the first World Listening Day on July 18, 2010 (R. Murray Schafer's birthday). Dan Godston is the main organizer for World Listening Day. I've attached a Word file about the event. Dan can answer specific questions. I have attached a pdf explaining the purpose of the event and how you may get involved. (Hopefully the lisserv allows attachements.) World Listening Day is open to a variety of actions and interpretations. Happily, we have a growing list of interesting people who are participating. Finally, I'd like to emphasize that we have no one in Africa participating yet. Perhaps KRN in Dakar and Emeeka in Lagos can do something foe World Listening Day. What do you think? Sincerely, Eric Leonardson Director, World Listening Project Founder, Midwest Society for Acoustic Ecology -- Eric Leonardson E-mail: eric(a)ericleonardson.org <mailto:eric@ericleonardson.org> Homepage: ericleonardson.org/whatsnew/ <http://ericleonardson.org/whatsnew/> Plasticene: plasticene.blogspot.com/ <http://plasticene.blogspot.com/> Auris: www.myspace.com/auristrio <http://www.myspace.com/auristrio> World Listening Project: www.worldlisteningproject.org <http://www.worldlisteningproject.org/> Midwest Society for Acoustic Ecology: mwsae.org <http://mwsae.org/> Chicago Phonography: www.chicagophonography.org <http://www.chicagophonography.org/> Delicious: delicious.com/eleon <http://delicious.com/eleon> Twitter: twitter.com/eleona <http://twitter.com/eleona> Myspace: www.myspace.com/ericleonardson <http://www.myspace.com/ericleonardson> Flickr: www.flickr.com/photos/eleonardson/ <http://www.flickr.com/photos/eleonardson/> YouTube: www.youtube.com/ericleonardson <http://www.youtube.com/ericleonardson> Facebook: www.facebook.com/eric.leonardson <http://www.facebook.com/eric.leonardson> Locus Sonus Audio Streaming Project Map <http://locusonus.org/soundmap/>, "chicago - westside" AudioBoo <http://audioboo.fm/users/18347/boos> mobile: 773-218-5796 skype: worldlistening

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[locustream] Fwd: "Organised Sound" call for submissions "Networked Electroacoustic Music"
by Eric Leonardson 15 Sep '10

15 Sep '10

Forwarding, in case in you all hadn't received this already... -------- Original Message -------- Subject: "Organised Sound" call for submissions "Networked Electroacoustic Music" Date: Tue, 31 Aug 2010 13:19:30 +0100 From: Leigh Landy <llandy(a)dmu.ac.uk> Reply-To: cec-conference(a)concordia.ca To: Organised Sound Call <llandy(a)dmu.ac.uk>, Ian Whalley <musik(a)waikato.ac.nz>, "Ken Fields (Calgary)" <kfields(a)ucalgary.ca> Organised Sound: An International Journal of Music and Technology *Call for submissions * Volume 17, Number 1 Issue thematic title:* Networked Electroacoustic Music *Date of Publication: April 2012 Publishers: Cambridge University Press Issue co-ordinators: Ian Whalley (musik(a)waikato.ac.nz), Ken Fields (kfields(a)ucalgary.ca) /Organised Sound/ has regularly covered networked music in the past, including a themed issue (vol. 10/3, 2005). The proliferation of Internet2 has resulted in a sustained practice of sonic and multimedia experimentation over high-speed research networks. This current themed issue aims to explore and document current work, practices and innovation in this new musical space. Are there new issues in aesthetics to be addressed in electroacoustic music as mediated by networks? What continuing practices and roles are being transformed and/or reinterpreted as a consequence? What are the most significant new outcomes or processes? What are the current research questions that need to be explored? As the diffusion of multichannel audio set an agenda for a generation of electroacoustic music, will geo-diffusion be a new benchmark? Topics for investigation might include, but are not restricted to: · Conceptual frameworks for current and continuing research · Perceptual/cognitive framing of the tele-musical event · Aesthetics/philosophy of sonic interconnection · Beyond spatialisation: geo-diffusion · New tools and techniques being used and explored · Production and social-organisational challenges created by distributed work · Hybrid art-forms that may have emerged · Challenges in combining local and remote acoustics · Human and Network Interaction (HNI) · Distributed / remote participation (composition, performance, reception) · Network acoustics: sonifying the network · Sonic outcomes of machine, Internet2, and human interaction · Artistic statements and innovative outcomes The OS issue* Networked Electroacoustic Music* will also be encouraged through a networked symposium in January 2011. For updates subscribe to: http://mailman.ucalgary.ca/mailman/listinfo/stremes-l As always, submissions related to the theme are encouraged; however, those that fall /outside/ the scope of this theme are /always/ welcome. Deadline for submissions is 15 June 2011. Submitted papers may supporting audio and audio-visual material will be presented as part of the journal's annual DVD-ROM which will appear with issue 17/3 as well on the journal's website when the issue is published. SUBMISSION DEADLINE: 15 June 2011 SUBMISSION FORMAT Notes for Contributors and further details can be obtained from the inside back cover of published issues of /Organised Sound/ or at the following url: http://journals.cambridge.org/action/displayMoreInfo?jid=OSO&type=ifc <http://journals.cambridge.org/action/displayMoreInfo?jid=OSO&type=ifc> (and download the pdf) Properly formatted email submissions and general queries should be sent to: os(a)dmu.ac.uk, not to the guest editors. Hard copy of articles and images (only when requested) and other material (e.g., sound and audio-visual files, etc. -- normally max. 15' sound files or 8' movie files) should be submitted to: Prof. Leigh Landy Organised Sound Clephan Building De Montfort University Leicester LE1 9BH, _UK_. Editor: Leigh Landy Associate Editors: Ross Kirk and Richard Orton Regional Editors: Joel Chadabe, Lonce Wyse, Eduardo Miranda, Jøran Rudi, Barry Truax, Ian Whalley, David Worrall International Editorial Board: Marc Battier, Hannah Bosma, Alessandro Cipriani, Simon Emmerson, Kenneth Fields, Rajmil Fischman, Rosemary Mountain, Tony Myatt, Jean-Claude Risset, Margaret Schedel, Mary Simoni, Martin Supper =====

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Locustream September 2010