IDEOLOGIES AND ETHICS IN THE USES AND ABUSES OF SOUND
Koli, Finland, June 16-19, 2010
CALL FOR PAPERS (reminder: abstracts by October 12)
The 2010 WFAE conference will be held at Koli in Eastern Finland. Koli
is a plausible site for reflecting upon ideologies, ethics and
soundscapes, since it was amongst the key places of the national
romantic artist pilgrims in the late 19th century Finland. The main
organisers, Department of Finnish Language and Cultural Research at
the University of Joensuu, Finland and The Finnish Society for
Acoustic Ecology (FSAE) invite researchers and artists from all
disciplines to join this forum of discussion.
Confirmed invited and keynote speakers are (in alphabetical order):
Steven Feld, Charles Hirschkind, Bruce Johnson, Anahid Kassabian,
Andra McCartney, R. Murray Schafer, Barry Truax and Hildegard
Westerkamp.
More information at: http://www.joensuu.fi/soundscapes
Proposals are invited for papers, workshops, roundtable, or artistic
contributions relating to, but not limited to the following topics:
NATIONS, NATIONALISM AND SOUNDSCAPE
There has been an abundance of research on the topic of nationalism
and music. What about nationalism and soundscape? Within sound of
religious movements Martin Stokes mentioned recently that in order to
understand certain Islamic movements today it would be crucial to
understand their soundscapes. Collective listening or giving ?voices?
to subjects and their religious experiences, are some examples.
CONSTRUCTING PAST AND PROGRESS IN THE USES AND ABUSES OF SOUND
Both past and progress can be used and abused as part of many
ideologies. Have past soundscapes been used as a resource as part of
these negotiations? The ideology of progress, then, is intimately
related to the acceptance of noise as an inevitable phenomenon.
ETHICAL CHALLENGES OF WORKING WITH THE SOUNDS
How do soundscape researchers and artists answer to the ethical
challenges of working with the sounds of other people ? and of
themselves. How do we understand cultural convergences, differences
and sameness? Or would it just be more important to learn to tolerate
the other? Should the researcher or artist make an intervention -- or
would it be best just to observe the uses and abuses of sounds from
outside?
THE COMMODIFICATION OF AURAL SPACE, SOUND AND SILENCE
How does silence, its commodification and tourism fit under the same
sky? What kind of strategies can the citizens and planners develop in
different localities in order to guarantee the soundscape comfort,
tourism as a means of livelihood and the touristic search of silence
all at the same time? What about the urban environment with its
ubiquitous transphonic phenomena? Who has the right to fill the urban
space with music, and how is it currently happening?
Please send ABSTRACTS (max. 400 words) by October 12, 2009 to the
conference e-mail address koli(a)akueko.com. The abstracts are being
dealt with in early November, and the people whose papers and sonic
art works are chosen to be presented will be notified on November 10.
----- End forwarded message -----
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Eric Leonardson
E-mail: eric(a)ericleonardson.org <mailto:eric@ericleonardson.org>
Homepage: http://ericleonardson.org/whatsnew/
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Happy New Year everyone!
I hope your holidays were happy and restful.
I'm forwarding this message on from Hans W. Koch, who is looking for
young people to participate in this "sounds of my neighborhood" project.
I thought of you may be able to help.
There is a pdf attached to Hans's message. I hope it forwards, too.
Sincerely,
Eric
-------- Original Message --------
Subject: [worldlistening] looking for participants for a global
soundscape project [1 Attachment]
Date: Tue, 5 Jan 2010 08:08:34 +0100
From: hans w. koch <hansw.koch(a)gmail.com>
Reply-To: worldlistening(a)yahoogroups.com
To: worldlistening(a)yahoogroups.com
[Attachment(s) <#TopText> from hans w. koch included below]
hello and a happy new year to everyone!
its my first post on this list, so maybe a few words of introduction: i
am a cologne(germany) based soundartist/composer working in different media.
for a project i got involved with, i am looking for participants from as
many countrys / cultures as possible. eric encouraged me to post this here:
the musiktriennale, a musicfestival here in cologne wants to do a global
soundscape project called: "sounds of my neighbourhood". as a kind of an
education project.
the focal point is a creation of stockhausens hymnen here, but for a
kind of an education project around it, the idea is to take soundscapes
from several countrys around the globe instead of national anthems. the
soundscapes will be presented in an interactive installation, which will
alow the visitors not only to listen to the individual projects in a
quadrophonic setup, but also to intermodulate the different soundfiles
via a touchscreen, creating individual trajectories around the globe.
for this i am looking for volunteers all around the globe, who would be
willing to work with groups of younger people (15-25 of age) to create a
soundscape piece of the neighbourhood, they are living in.
i would be interested to get a certain cultural diversity surpassing
eurocentrism. attached is a short description of the project as pdf, but
if you have questions, please don´t hesitate...
would you know of somebody interestedin participating, maybe somebody,
who already works with the kind of targetgroup i am looking for?
any pointers would be greatly appreciated!
all best from cologne
hans
www.hans-w-koch.net
__._,_.___
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Eric Leonardson
E-mail: eric(a)ericleonardson.org <mailto:eric@ericleonardson.org>
Homepage: http://ericleonardson.org/whatsnew/
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<http://www.worldlisteningproject.org/>
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Delicious: http://delicious.com/eleon
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mobile: 773-218-5796
skype: worldlistening
Chers amis,
Je lance un appel à participation:
Je recherche des extraits sonores d'ambiances urbaines: le son des rues
de plusieurs villes du monde.
L'objectif: réaliser une œuvre collective, "D'ailleurs et d'ici", une
installation sonore invisible et impromptue, qui sera présentée dans des
festivals d'art numérique, notamment en juin 2010 en Bourgogne
(http://crane.fr) et en juillet 2010 dans la Drôme
(http://desertnumerique.incident.net).
Auriez-vous svp un ou plusieurs fichiers sonore(s) à m'envoyer?
* Délai: début mars 2010
* Durée: 1 minute max.
* Formats acceptés: mp3, aif, wma, wav
* Infos à fournir:
- votre nom
- le titre des sons
- le lieu et la date de leur enregistrement
-> Sons à envoyer sur: dailleurs(a)incident.net
Par avance, je vous remercie infiniment de votre participation!
KRN:)
---
KRN est une artiste du réseau, curatrice d'expositions multimédia,
organisatrice d'événements culturels et artistiques, et avant tout
curieuse des relations interpersonnelles via l'interface technologique
(entre désir, art et technologies). Elle enregistre les lignes, les
couleurs et les sons, promeut les logiciels libres et réalise des sites
Web culturels. A créé « Incident » en 1996, « Upgrade!Dakar » en 2008
sur l'usage des technologies en Afrique, a rejoint Maria Luisa Angulo en
2009 au sein de « Trias Culture » pour promouvoir la création numérique
à Dakar, et met en place depuis 2009 « Digitale Afrique - Cartographie
de la création numérique en Afrique ». Elle vit et travaille à Dakar
(Sénégal) depuis 2004.
http://KRN.incident.net
---
L'œuvre collective qui en résultera sera sous licence "Creative Commons"
sur le modèle décrit ici:
http://creativecommons.org/licenses/by-nc-nd/2.0/fr/
---