IDEOLOGIES AND ETHICS IN THE USES AND ABUSES OF SOUND
Koli, Finland, June 16-19, 2010
CALL FOR PAPERS (reminder: abstracts by October 12)
The 2010 WFAE conference will be held at Koli in Eastern Finland. Koli
is a plausible site for reflecting upon ideologies, ethics and
soundscapes, since it was amongst the key places of the national
romantic artist pilgrims in the late 19th century Finland. The main
organisers, Department of Finnish Language and Cultural Research at
the University of Joensuu, Finland and The Finnish Society for
Acoustic Ecology (FSAE) invite researchers and artists from all
disciplines to join this forum of discussion.
Confirmed invited and keynote speakers are (in alphabetical order):
Steven Feld, Charles Hirschkind, Bruce Johnson, Anahid Kassabian,
Andra McCartney, R. Murray Schafer, Barry Truax and Hildegard
Westerkamp.
More information at: http://www.joensuu.fi/soundscapes
Proposals are invited for papers, workshops, roundtable, or artistic
contributions relating to, but not limited to the following topics:
NATIONS, NATIONALISM AND SOUNDSCAPE
There has been an abundance of research on the topic of nationalism
and music. What about nationalism and soundscape? Within sound of
religious movements Martin Stokes mentioned recently that in order to
understand certain Islamic movements today it would be crucial to
understand their soundscapes. Collective listening or giving ?voices?
to subjects and their religious experiences, are some examples.
CONSTRUCTING PAST AND PROGRESS IN THE USES AND ABUSES OF SOUND
Both past and progress can be used and abused as part of many
ideologies. Have past soundscapes been used as a resource as part of
these negotiations? The ideology of progress, then, is intimately
related to the acceptance of noise as an inevitable phenomenon.
ETHICAL CHALLENGES OF WORKING WITH THE SOUNDS
How do soundscape researchers and artists answer to the ethical
challenges of working with the sounds of other people ? and of
themselves. How do we understand cultural convergences, differences
and sameness? Or would it just be more important to learn to tolerate
the other? Should the researcher or artist make an intervention -- or
would it be best just to observe the uses and abuses of sounds from
outside?
THE COMMODIFICATION OF AURAL SPACE, SOUND AND SILENCE
How does silence, its commodification and tourism fit under the same
sky? What kind of strategies can the citizens and planners develop in
different localities in order to guarantee the soundscape comfort,
tourism as a means of livelihood and the touristic search of silence
all at the same time? What about the urban environment with its
ubiquitous transphonic phenomena? Who has the right to fill the urban
space with music, and how is it currently happening?
Please send ABSTRACTS (max. 400 words) by October 12, 2009 to the
conference e-mail address koli(a)akueko.com. The abstracts are being
dealt with in early November, and the people whose papers and sonic
art works are chosen to be presented will be notified on November 10.
----- End forwarded message -----
--
Eric Leonardson
E-mail: eric(a)ericleonardson.org <mailto:eric@ericleonardson.org>
Homepage: http://ericleonardson.org/whatsnew/
World Listening Project: http://www.worldlisteningproject.org
<http://www.worldlisteningproject.org/>
Midwest Society for Acoustic Ecology: http://mwsae.org <http://mwsae.org/>
Delicious: http://delicious.com/eleon
Twitter: http://twitter.com/eleona
Myspace: http://www.myspace.com/ericleonardson
Flickr: http://www.flickr.com/photos/eleonardson/
YouTube: http://www.youtube.com/ericleonardson
Facebook: http://www.facebook.com/eric.leonardson
mobile: 773-218-5796
skype: worldlistening
I'm happy to announce the birth of a new stream in Yunnan close to
Lijiang in south west China where I am currently doing a residency.
Details are on the map but I did want to mention that we finally got
rid of all ground noise by running a long wire from the stream box
(fixed with one of the screws on the serial plug to a metal staircase
outside which makes a very efficient ground (there is no earth on the
mains electrical installation). We made wind protection using
scouring pads and a small sieve covered with several layers of nylon
socks which we then fixed under the eves of the building. The network
drops occasionally as does the mains electrical but the sound is clean.
Best
Peter
Peter Sinclair
petesinc(a)nujus.net
http://petersinclair.orghttp://nujus.nethttp://locusonus.org
I finally have my router working and the streambox connected.
Since my keyboard will only type a question mark character "?" when I
type the underscore character "_" I had to go in and change my settings
on my admin page to remove the underscore characters and also to allow
me type shorter names into the Pd patch.
In the Pd settings, stream-name is "westside" (it was was "421ndrake"),
your-name is "ericl", and location is "chicago"
I pressed the bang button to apply values and connect.
In my admin settings, city is "chicago", location name is "westside" (it
was was "421ndrake"), and your name is "ericl". You can see it on the
map if you zoom in to Chicago, north of Garfield Park.
Now, how do we get the Icecast server to recognize
"chicago_westside.ogg" instead of "421ndrake.ogg"?
BTW, in the admin page the "Pd patch" link was 404: "The requested URL
/soundmap/lhoosl.html was not found on this server."
Eric
--
Eric Leonardson
E-mail: eric(a)ericleonardson.org <mailto:eric@ericleonardson.org>
Homepage: http://ericleonardson.org/whatsnew/
World Listening Project: http://www.worldlisteningproject.org
<http://www.worldlisteningproject.org/>
Midwest Society for Acoustic Ecology: http://mwsae.org <http://mwsae.org/>
Delicious: http://delicious.com/eleon
Twitter: http://twitter.com/eleona
Myspace: http://www.myspace.com/ericleonardson
Flickr: http://www.flickr.com/photos/eleonardson/
YouTube: http://www.youtube.com/ericleonardson
Facebook: http://www.facebook.com/eric.leonardson
mobile: 773-218-5796
skype: worldlistening
Dear All
I've noticed that most off the streamboxes have a small amount of
ground noise. I'ts kind of a shame because the sound quality,
especially with the new microphones is getting quite good. If you
have a screen plugged into the streambox its mains connector
automatically provides a ground, however when you take the screen
away, since the streambox only has a 2 pin mains adapter that nasty
ac buzz appears.
Here is an easy way to remedy it using a jump lead which is easy to
find in any electronics store:
This is using a french mains outlet - for other countries you'll have
to improvise but I'm sure you get the idea.
best
Peter
Peter Sinclair
petesinc(a)nujus.net
http://petersinclair.orghttp://nujus.nethttp://locusonus.org